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There is nearly always
by Ed Higgins
an explanation for the silence:
of stars, embarrassed hope, time's contumely.
Always too the questions beside themselves,
quicker than our nimble moves to unbutton
their too tight fitting constrictions.
After loss especially, feeling for your
own sad pulse you wish wasn't there,
light too heavy to escape the event horizon.
We sometimes call that ecstatic void
our soul. Full of density licked to fury
by the winds of coming and going
to and fro in the lowering stellar air where
calm and chaos whisper advice both,
as we listen hard to inhabited contradictions.
Our houses slide off crumbling hillsides,
eaten by the sea. All this movement carrying us back
to lives of water where only yesterday we came
from, dripping God from our loins. Not to be confused
with our also rising in perfect starlight, steep-turning angels.
Or as in the glint of flying fish. Their impulse
for racing above calm or turbulent waters with
a message we only wish to understand, unravel
through thinking, breathing in salt-flecked wonder,
entering fleeing forms of being or becoming.
Ed Higgin's poems and short fiction have appeared in Monkeybicycle, Otoliths, Pindeldyboz, The Foliate Oak, CrossConnect, Word Riot, The Hiss Quarterly, Mannequin Envy, Poems Niederngasse, Red River Review, Ducts, and AVQ, among others. He lives on a small farm in Yamhill, Oregon, with a menagerie of animals, including three whippets and two manx barn cats. He teaches writing and literature at George Fox University south of Portland, Oregon..
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